… move or be moved by some thing rather than oneself.
Critical Distance Center for Curators, Toronto, du 14 juin au 8 août 2018
Co-commissaires
Florence-Agathe Dubé-Moreau
et Maude Johnson
… move or be moved by some thing rather than oneself. examines the intersections between methods of creation and reflection particular to curatorial and choreographic spheres. As part of the ongoing discussion on dance in the museum, this exhibition responds specifically by disengaging from the danced gesture. It gathers artists who, on the one hand, borrow from curatorial and choreographic methodologies; and who, on the other hand, transform the multiple spaces (physical, virtual, social, political, historical, etc.) and temporalities of the gallery. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability.
Artistes
Adam Basanta, Adrienne Crossman, Nadège Grebmeier Forget, Guillaume Adjutor Provost
L’exposition était composée d’une exposition en salle, d’une œuvre affichée à l’extérieur du pôle culturel Artscape Youngplace et d’un catalogue d’exposition.
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1-2 — Adrienne Crossman, Adam Basanta
3 — De gauche à droite : Guillaume Adjutor Provost, Nadège Grebmeier Forget, Adam Basanta
4 — Adam Basanta, Nadège Grebmeier Forget
5 — Adam Basanta
6 — De gauche à droite : Adam Basanta, Guillaume Adjutor Provost, Nadège Grebmeier Forget, Adrienne Crossman
7 — Adrienne Crossman, Adam Basanta
8-11 — Adrienne Crossman
12 — De gauche à droite : Adam Basanta, Adrienne Crossman, Guillaume Adjutor Provost
13 — Adam Basanta
14 — Guillaume Adjutor Provost
15 — Adam Basanta
16 — Vue de l’œuvre publique de Nadège Grebmeier Forget installée devant l’Artscape Youngplace Building dans le cadre de l’exposition
Photos
Toni Hafkenscheid
Revue de presse
Éric Legendre, « Ouvrages reçus : ... move or be moved by some thing rather than oneself », Espace, no 122, printemps 2019, p. 105-107. Consulter →